Sustainability

Balancing a job, a family, friends, maintaining good health, and launching a new writing career is difficult. I’m still searching for that magic formula, a schedule that feeds all of these important aspects of my life. But I also know that life is constantly changing. What works one week won’t cut it the next. It’s a constantly evolving challenge.

The most important thing for me to focus on is sustainability. Whatever system I create, it has to be flexible, and it has to be something that won’t burn out any of the other things that need my attention. I’m finding that multitasking is counter-productive. When I try to think about plot while spending time with my family, I’m not really connecting with them or my stories.

But there are things that can be combined. I can plot while I take a walk, getting good exercise and working through story issues. I can share story ideas with some of my family members and friends. The biggest challenge is always carving out time to myself, where I can get the words on the pages uninterrupted.

Life is full of distractions. Keeping in mind the important things, making time for each and giving them my full attention, is the best way for me to build a sustainably happy life.

Autumn

Autumn is my favorite season for writing. There’s a heady mix of activity and introspection as I get ready for the year’s end while looking ahead to the winter. The steel gray of the sky contrasting with the brightly colored leaves holds a particular creative magic. The weather is cool and crisp, perfect for activity or for sitting inside with a book and a cup of tea. The shorter daylight hours leave more time for dreaming.

This year, I’m going to try to slow down and savor the autumn. Holidays are approaching, and I know life will get busier before it settles into winter. There’s always so much going on, but I know I’ll miss out on more if I try to do too much. As the days wind down, I’m making an effort to slow my pace, to stop and look, to really see everything and everyone surrounding me.

Trust

There is a tiny voice inside every artist that tells us what to do with our works. “Change that line. This isn’t in character. This scene doesn’t belong here.” The more we create, the more we listen to that voice, the stronger it becomes. The easier it is to hear.

I first became aware of it when I started obsessively drawing one particular actor over and over. I started out spending two hours on a piece. By the tenth or eleventh portrait, I was spending two days. Long days. Hours spent hunched over the Bristol paper with pencils of all different graphite densities. Toward the end of the later pieces, I started to feel something new. “A few changes here and there and then… It’s done.” I had never experienced art that actually felt finished before. I knew there were parts of the piece that weren’t perfect, things that I could fix. But my muse was satisfied. It was giving me permission to move on.

With writing, I’ve started experiencing the same thing. Finding the particular moment in the story to start a piece, knowing when to introduce characters, figuring out the best order for the scenes and which to tell or leave out. It doesn’t all happen in the first draft. The editing process is still long and hard. But the more I listen to that inner voice, the better the pieces end up. I’ve learned to trust it.

When I speak of my muse now, I’m talking about my writer’s intuition. It didn’t suddenly appear one day. I educated it through a lifetime of stories. Learning from my successes and mistakes and those of others as well  (sometimes the mistakes are even more enlightening). Watching as other artists broke the rules in a way that somehow worked. And always practicing, integrating the craft skills that are leaned through the curious phenomenon of osmosis.

Read and write. Read and write. As much as you can. And then, learn to trust, to listen to that tiny voice inside yourself that tells you when a piece is ready to edit, to share with your beta readers, and finally, to send out into the world.

“It’s not subtext…”

I try to stay open to signs from the Universe about what I should be writing next. Sometimes, the messages are easily explained as my subconscious picking up on things in my environment, and saying, “Please? May we please play with this story now?” This phenomenon is currently manifesting as me noticing motorcycles. The particular type I walk past at least once a week happens to have the same design as the hero’s motorcycle in my current full-length novel project. I can’t even call this a coincidence. It’s summer. People are riding motorcycles more often.

But then there are the things that are more difficult to explain.

A few years ago, I bought a tablet to help with my writing. The store didn’t have a purple cover available for it (the horror!), so I went with a pretty lime green. A few weeks later, a friend gave me a birthday present in a plain bag that was exactly the same color. I paused, and said, “Whatever is in that bag is important.”

Inside the bag was a heavily decorated box that held little sheets of paper printed with an elaborate Victorian design along with a journal covered in pictures of Paris. The box had the letter “D” on it, for which my friend apologized since it didn’t match my initials, but she said it made her think of me for some reason. This friend was helping me learn Mandarin and usually gave me gifts matching that interest. She said, “I just had a feeling that I needed to get this journal instead.”

She had no idea that the story I was playing around with at that time held its roots in France, that the hero’s first initial was ‘D’, and that the box with those sheets of paper looked like something he would absolutely have sitting on his desk. I had no intention of turning that story into a novel until her birthday present slapped me in the face and said, “Get serious about this. You’re onto something.”

That box of little papers sat next to me the entire time I was writing the book and I used the journal for my notes on the project. In the darkest moment, when I was thinking about walking away from the story, that same friend emailed me out of the blue with an uplifting message that kept me going. “I saw this article and thought of you…” (I’ve said it before, and I’ll keep saying it: Thank you, S!).

More recently, at the exact moment I was thinking, “I don’t want to work on x project [with the motorcycle] right now,” I drove past the heroine’s van. This is not a common vehicle. This is not something that can be attributed to the weather or my subconscious. I was on a sleepy side street quite by happenstance, and there it was. A beat-up VW van from the sixties whose sides were more rust than paint.

I rarely see these VW vans anymore. I have never seen one in such crappy condition (no offense to the owners). It was absolutely perfect, as if the heroine had driven out of my imagination and parked it right there for me to see. I had been ignoring the little things pointing me to this story, the voice of intuition telling me there is even a market for it once it’s polished. But this? This I couldn’t ignore.

The Universe is talking to me in ALL CAPS. When that happens, it is imperative that I stop, listen, and get to writing.

Have you ever noticed signs pointing you to write a particular story? Tell me about it in the comments!

Thinking Outside Yourself

Lately, the summer sky has been filled with enormous fluffy white clouds. High altitude winds sometimes stack them into floating skyscrapers. I’ve been watching them as much as I can, imprinting them in my memory to call up when my mind gets stuck in the details of living. It’s made me realize just how much I exist in my mind, in screens, and in words. I sometimes forget that words are a tool I use to communicate experiences and feelings. Without tuning in to my own experiences and the feelings they evoke, there’s nothing for my words to reflect. My writing will be as empty as an echo. These clouds are visceral. Staring at them, I can feel their softness, the cool moisture they contain. I notice the sun catching in their edges and making them glow, then feel it hitting my own skin and warming me. I remember that there is a huge and beautiful world outside of me, that I exist within it, moving through it, and only truly experiencing it when I stop and give myself the time to pay attention.

Shoes

I am not a person who is overly fond of shoes. I own maybe half a dozen pairs and only actually wear three of them (everyday sneakers, sandals for rare skirt appearances, and hiking boots for muddy days at the park). I’m usually most concerned about comfort when I search for clothing, so I have trouble relating to characters who are defined by a near-obsessive love of attire. That might have ended with my latest pair of sandals.

They’re cushy and they’re mostly flat, they fit my feet better than most shoes, and I actually love the way they look. Strappy in a Romanesque style, they fit my list of criteria and my personality. And that brought on my epiphany. People (and characters) can use shoes to communicate. Whether it’s something as fleeting as a mood or as deep as their personality, shoes and clothing tell a lot about a person. This is probably obvious to many people, but I’ve never given it much thought (as my wardrobe attests).

This revelation has come with a new writing exercise I’m eager to try. I’m going to go shoe-shopping for some of my characters. Whether online or in a store, I’m going to peruse the shelves while thinking of my characters and ask myself, what would they wear? Would they be excited about these shoes? Is there an event in the book that might make them want to go out and buy a special pair of shoes?

I might never use the actual shoes in the story, but it will definitely inform the character and that will come across in my writing. When my writing helps me to understand the people around me better, that is a very good thing.